Vitamodo School · Bundle 4: Antipsychiatry — The Critique Analyzed · Brochure 4 of 10 · Version 1.0
Andris Saulitis, MD
For those who: want to engage with Laing, Szasz, and Foucault as distinct intellectual projects — to read what each actually argued, beneath the caricature.
Not for those who: want this brochure to confirm that the antipsychiatry critique is right or wrong as a whole. The three projects do not collapse into a single verdict.
What this is — the clinical reality
In modern discussion of psychiatry, three names recur as the founders of the antipsychiatry critique: R.D. Laing, Thomas Szasz, Michel Foucault. They are frequently named in a single breath, as if their work constituted a single coherent argument. It does not. They were a Scottish psychiatrist working in the phenomenological-existentialist tradition, an American Hungarian-born psychiatrist working in the libertarian-conceptual tradition, and a French philosopher working in the structuralist and post-structuralist tradition. Their projects were different. Their arguments were different. Their politics were different. And what each got right and got wrong was different.
This brochure is for the reader who wants to engage with the original critique honestly — to read what these three actually argued, rather than the caricature that has accumulated around them in popular discussion. It is also for the reader who has accepted, or rejected, the broader antipsychiatric position without examining the specific arguments of its three principal founders, and wants to do that work now.
A note before we go further. None of these three thinkers wrote what their followers and detractors have made them say. Laing did not argue that mental illness does not exist. Szasz did not argue that all distress is fake. Foucault did not write a comprehensive history of madness. The popular versions of each — pro and anti — are caricatures that obscure what each was actually doing. Reading each on their own terms produces a sharper engagement with their critique, and a sharper sense of which of their claims have aged well and which have not.
Three frames carry the founders.
The first frame is Laing's project. Ronald David Laing was, when he began his clinical writing in the late 1950s, a young Scottish psychiatrist working in the British existential and phenomenological tradition. His project, set out in The Divided Self (1960), was to make sense of schizophrenic experience from the inside — to read it not as biological misfiring but as an intelligible response to an intolerable interpersonal world. In Sanity, Madness and the Family (1964), with Aaron Esterson, he extended this to a series of case studies arguing that schizophrenic symptoms in young women were intelligible responses to specific family dynamics. In The Politics of Experience (1967), he extended the argument further, into a radical political reading in which psychosis could be a journey toward truth in a sick society. He set up Kingsley Hall in London (1965-70) as an experimental therapeutic community in which patients lived alongside therapists without forced medication, in an attempt to allow psychotic episodes to be lived through rather than suppressed.